All Simon Vouet Oil Paintings

b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.
 

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Simon Vouet Crucifixion  qwr oil on canvas


Crucifixion qwr
Crucifixion qwr
Painting ID::  10141
  Oil on canvas Musee des Beaux-Arts, Lyon
  Oil on canvas Musee des Beaux-Arts, Lyon

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Simon Vouet St Jerome and the Angel oil on canvas


St Jerome and the Angel
St Jerome and the Angel
Painting ID::  10142
  1620s Oil on canvas, 144,8 x 179,8 cm National Gallery of Art, Washington
  1620s Oil on canvas, 144,8 x 179,8 cm National Gallery of Art, Washington

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Simon Vouet St Mary Magdalene oil on canvas


St Mary Magdalene
St Mary Magdalene
Painting ID::  10143
  1623Oil on canvas 241 x 171 cm Galleria Nazionale d'Arte Antica, Rome
  1623Oil on canvas 241 x 171 cm Galleria Nazionale d'Arte Antica, Rome

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Simon Vouet Allegory of Peace oil on canvas


Allegory of Peace
Allegory of Peace
Painting ID::  10144
  1627 Oil on canvas 350 x 250 cm Galleria Nazionale d'Arte Antica,Rome
  1627 Oil on canvas 350 x 250 cm Galleria Nazionale d'Arte Antica,Rome

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Simon Vouet Father Time Overcome by Love, Hope and Beauty oil on canvas


Father Time Overcome by Love, Hope and Beauty
Father Time Overcome by Love, Hope and Beauty
Painting ID::  10145
  1627 Oil on canvas 107 x 142 cm Museo del Prado, Madrid
  1627 Oil on canvas 107 x 142 cm Museo del Prado, Madrid

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     Simon Vouet
     b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.

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